WANTED (MUSIC REVIEW)

One has decent expectations from the music of Wanted. There are slight doubts though on how the music would eventually turn out since Wanted has been in the new for close to two years now.

It's the sound of drum beats that the begins the proceedings for 'Love Me Love Me'. It doesn't take much time for the song to catch on with the listener in a big way.

Songs:-

Kamaal Khan is heard again in 'Ishq Vishq'. While Suzanne gives the backup vocals for the song, Sunidhi Chauhan makes a belated appearance in this groovy number. The song yet again boasts of a catchy tune and though purists may argue that the song doesn't offer anything new.

Next is 'Dil Leke'. One has heard such melodious soothing numbers in earlier Salman films but another addition doesn't really harm the album. Sung by Shaan and Shreya Ghoshal.
The album sees a dip though with 'Le Le Mazaa Le' that has a Spanish tough with Caryta Mouhini and Suzanne on the mike.

The orchestra at the beginning of 'Jalwa's is so close to that of 'Dhoom Again' (Dhoom2) that one wonders if one is going to hear the same song all over again.

After listening to 'Tose Pyar Karte Hai', it is clear that Sajid-Wajid have a chartbuster in their hands.

FAST FORWARD (Music Review)

When a film comes with 'dance' as its theme, there are indeed good expectations of at least the soundtrack being good. Even though Fast Forward doesn't have stars per se, the film make one look forward to good music due to three reasons, Akbar Sami, Anjum Rizvi who has made A wednesday earlier and the film's genre- dance and more of dance.

First to arrive is 'Taali Bajao' which gets into the act from the very first second. The track is just prefect for a club outing. Strictly for the youngsters, it gets it's target audiences on board there and then.

Next is 'Aankhon Ki Baat', which is just opposite to the opening track being a romantic number. This duet by Shaan and Pamela Jain is quite easy on ears.

'Dil Mein Junoon', a spirited number sung by Zubin goes well with th young mood of th film.

'Tum Jo Mile' sung by Shan and Shweta Pandit the track is made for a good listening.

Kunal Ganjawala gets a solo in the film 'Namm Nigahon Se' which arrives only in its 'remix' version.

LIFE PARTNER LIFE PARTNER [MUSIC REVIEW]

With Pritam at the helm of affairs, you do expect a frothy album. And when Javed Akhtar joins the show, you look forward to the kind of songs that the combo comes up with. The album begins quite well with 'Kuke Kuke' and within 20 seconds you realise that this is a parody in the ofering. Anatara Mitra sings badly, as is the requirement of the situation where the girl (Genelia D'Souza) is supposed to be playing a really bad singer.

Pritam's tune is peppy enough, especialy the part around the phrase 'Tauba Meri Tauba Meri', which makes 'Kuke Kuke' catchy enough.

'Teri Meri Yeh Zindagi' which follows next is a nice but harmless number which has a decent melody to it. this Soham Chakraborty and Shreya Ghoshal duet is romantic which reminds one of 'Tere Bin' from Bhagam Bhag.

There is quite some noise in store though with the arrival of 'Aage Aage.' In fact the entire idea of getting together a bunch of singers like Mika Singh, Shakti Singh, Ajay Jhingara, Soham Chakroborty and Antara Mitra goes completely wrong. Though placed as a fun number, it just doesn't justify its appearance in the album and is a quick skip.

Kirti Sagathia gets into his 'He Jee Re' mode once again in the 'garba' number 'Gunji Aangna Mein Shehnai'. Yet again, the number doesn't quite work and the tune is nothing better than a dozen odd songs belonging to this genre that has been heard before.

Guest lyricist Kumaar writes 'Poorza Poorza', which is sung by Sunidhi Chauhan. It is better than the likes of 'Aage aage' and 'Gunji Aangna mein Shehnai'.

All in all, in the current times when there are quite a few other albums like 'Love Aaj Kal, Tere Sang, Kaminey and Jashnn making a mark, it would be an uphill task for Life Partner to make its presence felt.

TERE SANG [MUSIC REVIEW]

Frankly there aren't many expectations that one carries from the music of Tere Sang as the composer duo, Sachin and Jigar, are newcomers.

However, one can't ignore the fact that the man at the helm of affairs is Satish Kaushik, who has given music for movies like Tere Naam, Mujhe Kuch Kehna Hai and Karzzz.

There are a couple of songs each by Anu Malik and Bappi Lahiri as well but the songs composed by Sachin and Jigar will stay in your mind for a long time.

The first song 'I will be there for you' is just the right beginning for a love story like Tere Sang. It is also refreshing and youthful number that portrays togetherness, friendship and love.

The song that follows, 'Morey Saiyan', is set as a rock track. With a slight touch of Indian classical fused throughtout its five minute duration.

Next is 'Maula Mila De' which keeps the rock mood going strong. Sung by Suhail, 'Maula' starts off slowly and then goes full throttle.

After it Jigar comes up with 'Rab Milya' that instantly takes you to the hills and meadows where a major part of the film is set.

The mod of the album changes with 'Miss Baabloo' that begins with a rap and moves on to the vocals of Bappi Lahiri who also composes the song.

Anu Malik is heard for the first time in the album with 'Chal Mera Haath Paked Le'. The song is about a girl looking for love and support from her boyfriend.

The composer duo does return with the final song of the album 'Leja Leja'. The song is special since it introduces new talent Jahnvi Shrimankar who brings with her a fresh feel to the proceedings.

LUCK [MUSIC REVIEW] LUCK [MUSIC REVIEW] [COMPLETER SONGS]

Soham Shah's last film Kaal had boasted of chartbuster music. Now he returns with "Luck" which is easily one of the most anticipated films of the season.

Salim-Sulaiman and lyricist Shabbir Ahmed has created jazz with the soundtrack of Kaal and with Luck they come back to the scene again. As expected, the title song 'Luck Aazma' arrives first and goes on to find a place throughout the album with two more versions to follow.

Sukhvinder Singh sounds ordinary in the original version but things get seriously zany in the remix version of the song. The ditty with supporting vocals by Satya Hinduja is a kind of number that should find a place thoughout the film's narrative as a background score.

'Khudaya Ve' reminds of 'Yaar Mangasi' from Kaante.
'Jee Le' is a Shruti Pathak number with Naresh Kamath.

A catchy track with a slight Middle-East flavour to it, has a faint resemblance to 'Halla Re' (Neil N Nikki) that was a Salim-Sulaiman composition.

However, 'Lagaa Le' is a simple pedestrian song as it is straight out of 80s and doesn't have a fresh appeal to it.

RUNWAY

Of all the music albums released of late, Runway manages to grab the attention mainly due to one cracking song called 'Khuda Ke Liye'. It's got that special sombr feel to it which many great anthems have and whilst overall, it doesn't quite reach that 'special' status; it's still a very enjoyable number. Shamir's enlightening piano tune is topped off with some brilliant vocals by Pakistani singing sensation Mustafa Zahid who confirms the incredible versatility in his singing armour! The song is also well supported lyrically by Shabir Ahmed. Not withstanding the attractions of the original version, it is perfectly suited for a remix.

'Teri Yaadein Leke Dil Mein' isn't a terrible track but you will be disappointed with Shamir's efforts here. It's still a breezy number that can be enjoyed by all but don't expect it to stick in your mind.

Thankfully an improved track is 'Roshan Dil Ka Jahan' although in reality it still lack the quality of the opener.

The soundtrack ends on a poor note with 'Pyaasi Machuriya' sung by Sunidhi Chauhan and Shamir Tandon has shown potential in the past but has never quite hit the big time and Runway continues to prove just why.

LOVE AAJ KAL [MUSIC REVIEW]

Love Aaj Kal's music is fun, vibrant, (of course) with romantic bhangra and hip hop flavours. No track in the album is ignorable. Our favourites are Aahun aahun, Twist, Chor Bazari and Aaj Din Chadeya. This is the best album since Delhi-6 and Dev D.

You may not like the songs instantly but listen to them a few times and you will be hooked. Twist is something we are all addicted to by now. Neeraj Shridhar's vocal energy is unmatched. The rap vocals are reminiscent of Apache Indian. It awill set the dance floor on fire. The lyrics are very Punjabi like ronak-shounak, wicked-shicked, aankh-vaank, etc. It's sure to be a rage at discos.

Chor Bazari has a nice guitar tune. It's a chilled out number. Main Kya Hoon is sung by KK who adds his magical touch to the song. Aahun Aahun is another instant favourite with its guitar prelude. it's a great club track too. Aaj Din Chadeya, sung by Rahat Fateh Ali Khan is soothing after the upbeat and exhausting Aahun Aahun. Thoda Thoda Pyaar has Sunidhi Chauhan on the vocals. Ye Doorian has a serene start with Mohit Chauhan's calming voice. The album is good and don't miss it all.

KISSAN KISSAN

Director Puneet Sira may still be waiting for box office success but he certainly has good taste for music. It was evidenced earlier in his debut flick I Proud To Be Indian.

Composer Daboo Malik, who created music for I- Proud To Be Indian, gets a good project in the form of Kissan.
There is a surprise at the very beginning as there is a fair does of Western influence in 'Punjabi Munde' which is a quintessential ' Bhangra' song. With Earl D's rap being an integral part of this full-on-hungama and celebration track. The song gives a winning start to Kissan.
Lyricist Panchi Jalonvi takes on from here as he comes up with mushy lyrics for ' Humko Kehna Hai'. The song works well especially due to the fact that Shaan and Shreya Ghoshal recreate the moments that were one the hallmar of the Udit Narayan-Alka Yagnik numbers. It's time for yet another team outing as Ad Boyz, Abhijit Ghoshal, Daboo Malik, Tarranum, Sujata Majumdar and Pavni Pandey come together for 'Jhoomo Re Jhoomo". The song doesn't break any new grounds but is pacy enough to keep the listener engaged.

8X10 TASVEER

The musical due of brothers Salim and Sulaiman Merchant are ready with the soundtrack of 8X10 Tasveer and they seem to have brought together quite a different genre with a mix of both fast-paced peppy numbers and free-flowing, soft melodies. The first song ' Aaja Mahi ' starts with a western feel and English lyrics. Even though the words lack punch, the song is melodious and worth listening.

Up next is ' Hafiz Khuda ' , which can win hearts with its souful, melodious music and free-flowing vocals by Mohit Chauhan. Akshay Kumar has shared vocals once again with the US-based hip-hop and rap star in 8X10 Tasveer. The song ' I got the picture' is a reppy number.
'Kuch Is Tarah' is a hummable romantic track. The best song of the album, 'Nazaara Hai' sets the adrenalin pumping with its strong musical backing and powerful vocals by Vishal Dadlani. It is soaked in the flavour of rock music. The predominance of the electric guitar, especially in the middle of the song, makes it a sure shot hit with music buffs. On the whole, the Salim-Sulaiman due has kept up their good work in 8X10 Tasveer.

KAL KISNE DEKHA

At the very beginning of the album, Sajid-Wajid are heard in ' Aalam Guzame Ko '. It is a kind of mushy romantic member. The track is smooth flowing and extremely easy on ears. A fast moving dance member with a Punjabi touch to it and some lazy singing, Soniye Billori' is predictable with the Antara portions being a better here then the opening lines. Then there is turnaround in the proceeding with 'Aasma Jhuk Gaya' where melody love mush and romance is back into the album. The beauty of 'Aalam Guzarne Ko' lies in the fact that it has a grand appeal to it by means of arrangements while being set in the melody. From 70s music moves to the world of 80s as ' 70s styleJashn Hai Josh Hai' reminds of the kind that could well have been composed for a Feroze Khan movie. If there is a number that would sit right at the top of the album, it has to be 'Tere Bina Lagta Nahiina Jiya' . Overall, it is a possinate song and comes with good energy inspite of its sad settings. The number is arranged well too, well hence bosting of a rich feel.

A 90-Second track 'Bin Tere Mar Javan Mein' has a semi classical touch and reminds of a style that has been heard in films coming from the house of Subhash Ghai. Finally, the much awaited title song 'Kal Kisne Dekha' has everything from the right mix of melody-n-rhythm; high enery, elaborate arrangements to foot tapping appeal and a 'climax song' feel to it.
A 100-second 'Romantic Version' (which takes an about turn from being a dance member) brings the album to a satysfying end.

EK-THE POWER OF ONE

Composer Pritam Chakarborty seems to be losing his megical touch if one were to go by the Album of ' Ek-The Power of One'' Bang Bang " crooned by Rana Muzumdar starts well with a heavy doze of electronic sounds. The song sets the mood and keeps it intact till the end. Powerful signing and strong musical arrangements make the track a good hear. Like most Pritam Chakarborty, ' Sambhale' is soked in Punjabi flavour. Sung by Sukhwinder Singh and Sunidhi Chauhan, the song has a long prelude but picks up well. However, the number fails to reach the standards set by Pritam. ' Sona Lagda' with Shashwati's honey-tucked voice instantly gives a heard-before feeling. Lack of exprimentation makes the song very ordinary. Up next in the remix version of ' Sona Lagda ' that adds nothing to the quality of the original and falls flat in its attempt to become a chartbuster.
The last song of the Album ' Tum Saath Ho', has a distinct resemblance to Pritam earlier composition " Tu Hi Meri Shab Hai ". But once again there is nothing fresh that the song has to offer. on the whole the five- song soundtrack of "Ek-The Power of One", fails to impres. The tied and tested formula of using particular genres in the soundtrack doesn't work too well for his album.